It’s Harry again, but his face is concealed in shadow, and he uses recordings of a co-worker’s voice to issue her instructions: Take off your dress and dance for me. Although she’s been depicted up to that point as a frumpy, frazzled hausfrau, Helen makes a smooth transition to a skimpy, skintight dress, and makes her way to the room of the man she’s meant to seduce. After Helen says she only got involved with Paxton’s used-car salesman out of a need for excitement, Harry, his voice still disguised, recruits her as a civilian asset for a phony spy mission, which requires her to go undercover as a prostitute.
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And it’s the heart of a movie that is deeply invested in leering at women and letting men watch. It’s a truly grotesque sequence, made more so by the shots of Curtis’ heat-mapped face as she pours out her heart in a concrete bunker, while Schwarzenegger sits impassively and lets her do it. He then questions her from behind a two-way mirror, his disguised voice pressing her on whether she’s slept with another man as she shivers in fear for her life. (That he’s outraged by her deception but lies to her every day of their lives is an irony the movie notes but doesn’t particularly dwell on.) It turns out Helen is being seduced by yet another liar, a used-car salesman (Bill Paxton) who’s convinced her that he’s a government agent, and Harry turns the tables by kidnapping her, slipping a hood over her head, and throwing her into a van. When Harry overhears Helen talking to a friend about a “mysterious stranger,” he’s enraged by the idea that she’s having an affair, and he marshals all the tools of his trade-hidden camera, microphones, tracking devices-to find out what she’s hiding.
Arnie’s character can kill a man with his bare hands and dance a sultry tango, but at home he’s an office-supply salesman with a bored, neglected wife and a daughter (Eliza Dushku) who thinks he’s a schmo. The story of Harry Tasker (Schwarzenegger), a covert agent who is so undercover that even his wife, Helen (Curtis), doesn’t know he works for the government, is meant as a comic twist on the suave super-spies of the 1970s and ’80s. (I know, because I have defended it.) True Lies is not. Still groggy from the intergalactic trip and rattled by her unfamiliar surroundings, Carol reads the gun-wielding figure as a threat and fires a photon blast in his direction, leaving a smoking hole where Arnold’s head used to be.Īvatar is, however, defensible. When Brie Larson’s Carol Danvers crashes to Earth in the mid-1990s, she lands in a Blockbuster Video, and the first thing she sees is a cardboard stand-up for the movie True Lies, featuring a tuxedoed Arnold Schwarzenegger with an admiring Jamie Lee Curtis draped over his shoulder. Jackson’s Nick Fury, but the movie does take a shot-literally-at another action-movie icon. Where Does Succession Go After That Big Cliffhanger?Ĭaptain Marvel may not, as one especially hysterical bit of fanboy outrage puts it, “ castrate” Samuel L.
The Wheel of Time Isn’t “the New Game of Thrones.” It’s Better.Spielberg’s West Side Story Proves the Controversial Musical Shouldn’t Be Retired
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For those wanting to watch every James Bond film, well, that's like a full-time job.įor those who are game, here are the best 20 film series to watch, with advice on the most must-see individual chapters as well as the skippable entries.Here Are All the Clues That Set Up Succession’s Huge Plot Twist Thankfully, Hollywood's penchant for sequels, prequels and reboots has wrought a plethora of big-time trilogies and collections where you can dive in head first for a new project. (When all this is over, no one can ever admit that they've never seen a "Star Wars" or a Marvel movie again.) We've got a bunch of movie series for you to watch.Īfter you've binged "Tiger King" like everybody else, maybe it's time to tuck into a film franchise, be it something beloved or a completely new experience. Watch Video: Oprah, Miley Cyrus team up for Facebook Live graduation ceremony